You have a great digital single lens reflex (dSLR) camera and want to capture some wonderful pictures of the times of your life. To fully master your dSLR and create compelling photos, you must venture forth into a brave new world that involves making decisions about shooting modes. Knowing what focal length to use in what shooting scenario will serve you well, as will a post-shoot ritual that readies your dSLR camera for your next photography outing.

1. Dslr Manual Settings
2. Canon Dslr Manual Settings Cheat

1. I have used Nikon D7100 DSLR camera settings in this article. To Learn Manual Mode for Canon DSLR. Photographer and founder of Nature Photography Simplified.
2. Here you will find information on how to use your DSLR camera settings, including manual and auto modes. It is also useful for those with mirrorless CSC cameras (Compact System Cameras) or point and shoots where you are able to adjust and manipulate settings such as aperture, shutter speed and ISO.
3. If you are a new camera owner this guide will walk you through the most important settings, techniques and rules you should know. Canon Lenses Review of the.

Digital SLR Camera Shooting Modes

Decisions, decisions. Your digital SLR camera comes with lots of shooting modes. Fortunately, to shoot pictures like a pro, you need to be concerned with only a couple of them. The following list describes the shooting modes used by pros:

From Digital SLR Settings and Shortcuts For Dummies. By Doug Sahlin. You have a great digital single lens reflex (dSLR) camera and want to capture some wonderful pictures of the times of your life. To fully master your dSLR and create compelling photos, you must venture forth into a brave new world that involves making decisions about shooting modes.

• Aperture Priority mode: You select the aperture (f/stop number), and the camera meters the scene and supplies the correct shutter speed for a properly exposed image. Use Aperture Priority mode when you want to control how much is in focus in front of and behind your subject, which is depth of field. Use a large aperture (small f/stop number) for a shallow depth of field, which is useful when you’re shooting portraits or any other subject and you don’t want anything but the subject in sharp focus. Use a small aperture (large f-stop number) when you want a large depth of field. A large depth of field is useful when you’re photographing landscapes and you want everything in the image to be in focus.

  You can also use Aperture Priority mode to control how much of the scene you’re photographing in focus by choosing an aperture between the largest and smallest. The depth of field gets a little bit larger as you select a smaller aperture (larger f/stop number).

• Shutter Priority mode: When you take pictures in Shutter Priority mode, you choose the shutter speed and the camera supplies the f/stop needed to yield a properly exposed image. You use Shutter Priority mode when you’re shooting subjects in motion. Use a fast shutter speed to freeze motion; use a slow shutter speed to render an object in motion with an artistic blur. The shutter speed needed to freeze action depends on how fast the subject is traveling and how far you are from the subject. For example, to freeze the motion of a racecar traveling over 100 mph, you’d need a shutter speed of 1/2000 of a second or faster. To freeze the motion of a marathon runner, you’d use a shutter speed of about 1/125 of a second.

  These settings are a guideline. The litmus test is whether you freeze the motion of the subject. Always review the image on your LCD monitor and use the camera controls to zoom in on the image. Examine the edges of the subject to make sure they are not blurred. If they are blurred, use the next fastest shutter speed.

• B mode: Set your camera to B (Bulb) mode when you want to capture pictures of night scenes, fireworks, and any other scene that requires a lot of light to properly exposure the image. When you shoot in this mode, the shutter stays open as long as you have the shutter button pressed. This is a time exposure. When you shoot a time exposure, place the camera on a tripod to ensure a blur-free shot. You’ll also need a cable release or a remote trigger, which lets you open the shutter without pressing the shutter button.

Focal Lengths and Your Digital SLR Camera

The focal length of the lens you use determines how the camera records the scene. A short focal length includes a wide view of the scene, which is why a lens with a short focal length is a wide-angle lens. Wide-angle lenses cover focal lengths from 12mm (very wide field of view) to 35mm. A long focal length magnifies the scene, essentially capturing a small part of the scene (or the field of view) and magnifying it to fill the frame. Lenses with long focal lengths are telephoto lenses. Telephoto lenses begin with a focal length of 80mm and exceed 500mm. A lens with a focal length that is 50mm encompasses the same field of view as the human eye. A lens that encompasses a range of focal lengths is a zoom lens. You can zoom in on your subject to focus on a small area, or zoom out for the big picture. You may see zoom lenses referred to as wide-angle to telephoto zoom, or normal to telephoto zoom.

One very important thing to remember: digital focal lengths don’t act the way they do on 35mm film cameras if you have a sensor that is smaller than a 35mm frame of film. If you do have a camera with a smaller sensor, your camera doesn’t capture as much of the scene in front of you as a 35mm film camera. In essence, the focal length crops to a smaller area of the scene, which is the same as zooming in. This is great when you’re a wildlife photographer. You can get closer to your subject without having to purchase an expensive telephoto lens with a long focal length. However, when you shoot landscapes, you’re at a disadvantage if you own a camera with a sensor that is smaller than a frame of 35mm film. A full-frame sensor has dimensions of 36mm x 24mm. If your sensor is smaller than that, you need to calculate your focal length multiplier and apply it to the focal length of the lens you’re using to get the 35mm-equivalent focal length. The focal length multiplier is also referred to as the crop factor.

The following figure shows two images of the same scene taken with two cameras. The image on the left was taken with a camera that has a full-frame sensor. The image on the right was taken with the same focal length on a camera with a sensor that is smaller than a 35mm frame of film. Notice that you see more of the scene with the picture taken by the camera with the full-frame sensor.

Figuring out your focal length multiplier

If you own a camera with a sensor smaller than a frame of 35mm film (36 x 24 millimeters), the sensor records only part of what the lens captures. The net result is that the lens acts the way a longer focal length would on a full-frame sensor. Firebird php generator professional references. The focal length multiplier depends on the size of your camera’s sensor in relation to a full-frame sensor. Generally, the focal length multiplier falls in a range from 1.3 to 2.0. If you place a lens with a 50mm focal length on a camera with a focal length multiplier of 1.6, the resulting 35mm equivalent is 80mm (50 x 1.6). If you put the same lens on a camera with a focal length multiplier of 1.5, you end up with a 35mm equivalent of 75mm (50 x 1.5).

Know your camera’s focal length multiplier when choosing accessory lenses for your camera. Most Canon cameras that don’t have full-frame sensors have a focal length multiplier of 1.6, with the exception of the Canon EOS 1D MK IV, which has a focal length multiplier of 1.3. Nikon cameras without full-frame sensors have a focal length multiplier of 1.5.

If you can’t find the focal length multiplier for your camera, you can easily calculate it. For example, the sensor on a Canon EOS 7D is 22.3mm x 14.9mm. To find the focal length multiplier for the camera, divide the width or height of a 35mm frame of film by the width or height of your camera sensor. In the case of the EOS 7D, 36 divided by 22.3 is 1.614, which rounded off is 1.6. Therefore, the focal length multiplier for that camera is 1.6.

The right focal length for the right photo

The following table shows several common focal lengths and the types of photographs you would use them for.

A Post-Shoot Ritual for the Digital SLR Photographer

Photography is art, not rocket science. However, you do work with a digital SLR camera and change settings when taking photographs under certain conditions. If you don’t change the settings to their default values after a photo shoot, you may end up with undesirable results. It’s helpful to go through this list after every photo shoot and prepare your camera for your next photo outing:

1. Download images to your computer.

   After the download, rename the images and apply keywords; doing so makes locating the images later much easier.

2. Back up image files.

   An external hard drive is an excellent place to back up your images. External hard drives provide an inexpensive way to safeguard your precious image files if you have a problem with your computer hard drive.

3. Reformat the memory card.

   Always reformat the memory card in your camera. Don’t format the cards using your computer. Your camera has the correct algorithm to format your cards properly.

4. Set the ISO to its lowest setting.

5. Set White Balance to Auto.

6. Set Exposure Compensation to 0.

7. Set the on-camera flash to OFF.

8. Recharge your camera battery and spare battery if necessary.

9. Set the camera metering to Evaluative.

10. Disable auto-exposure bracketing.

11. Clean your camera body.

    Always use a soft cloth to remove any accumulated grime. If necessary, dampen the cloth and then wring it almost dry. Wiping the camera body with an almost dry cloth is highly recommended if you’ve been taking photographs at the beach and there is a lot of salt spray in the air.

12. Clean your camera lenses.

    Purchase a lens cleaning kit at your favorite camera retailer and use it after every shoot. You’ll get better pictures with a clean lens.

• Before You Snap The Shot

• Get Up Close and Personal With People

• How to Shoot at Different Locations

• Find The Right Equipment

Sometimes, your mobile phone isn't quite enough for your photo. You might want to move up to a basic DSLR camera instead or, at least, have one handy in the car. When you know how to use manual DSLR camera settings, you'll be able to take even better mobile shots in some situations.

Using manual DSLR camera mode can seem like a daunting prospect but it's a great camera to travel with. In this mode, the camera gives the user full control of all settings, and there can be a fair amount to remember. But if you've practiced using aperture-priority and shutter-priority modes, then it's a simple step to move to the process of using manual camera settings.

Let's look at the three key components of using manual mode.

Aperture

Aperture controls the amount of light that enters the camera through the iris in the lens. These amounts are represented by 'f-stops,' and a large aperture is represented by a smaller number. So, for instance, f/2 is a large aperture and f/22 is a small aperture. ​Learning about aperture is an important aspect of advanced photography.

However, aperture also controls depth of field. Depth of field refers to how much of the image surrounding and behind the subject is in focus. A small depth of field is represented by a small number, so f2 would give a photographer a small depth of field, while f/22 would give a large depth of field.

Depth of field is extremely important in photography, and it should be one of the first things that a photographer considers when composing a photograph. For instance, a beautiful landscape shot won't be quite so pretty if a very small depth of field is accidentally used!

Shutter Speed

Shutter speed controls the amount of light entering your camera through its mirror — i.e., through the hole in the camera, as opposed to the lens.

DSLR cameras allow users to set the shutter speed from settings of around 1/4000th of a second through about 30 seconds and on some models 'Bulb,' which allows the photographer to keep the shutter open for as long as they choose.

Photographers use fast shutter speeds to freeze action, and they use slow shutter speeds at night to allow more light into the camera.

These are obviously just a couple of examples. However, slower shutter speeds mean that photographers won't be able to handhold their cameras and will need to use a tripod. It's widely accepted that 1/60th of a second is the slowest speed at which it's possible to go handheld.

So, a fast shutter speed only allows a small amount of light into the camera, while a slow shutter speed allows a lot of light into the camera.

ISO

ISO refers to the camera's sensitivity to light, and it has its origins in film photography, where different speeds of film had different sensitivities.

ISO settings on digital cameras typically range from 100 to 6400. Higher ISO settings allow more light into the camera, and they allow the user to shoot in low light situations. But the trade-off is that, at higher ISOs, the image will start to show noticeable noise and grain.

Dslr Manual Settings

ISO should always be the last thing that you change because noise is never desirable. Leave your ISO on its lowest setting as a default, only changing it when absolutely necessary.

Putting Everything Together

So with all these things to remember, why shoot in manual mode at all?

It's usually for all of the reasons mentioned above — you want to have control over your depth of field because you're shooting a landscape, or you want to freeze action, or you don't want noise in your image. And those are just a few examples.

As you become a more advanced photographer, you will want to have control over your camera. DSLRs are brilliantly clever, but they don't always know what you're trying to photograph. Their primary objective is to get enough light into the image, and they don't always know what it is you're trying to achieve from your photo.

So, here's the trade-off to remember: If you are letting a lot of light into your camera with your aperture, for instance, you'll need a faster shutter speed and a low ISO, so that your image isn't over-exposed. Or, if you use a slow shutter speed, you'll likely need a smaller aperture as the shutter will be letting plenty of light into the camera. Once you have a general idea, you can easily figure out the various settings you need to use. What settings you'll actually need will also depend on how much available light there is.

Achieving the Correct Exposure

Fortunately, knowing whether you have the correct exposure is not completely reliant on guesswork. All DSLRs have metering and an exposure level indicator. This will be represented both in the viewfinder, and either on the camera's LCD screen or the external information screen (depending on what make and model of DSLR you have). You'll recognize it as a line with the numbers -2 (or -3) to +2 (or +3) running across it.

The numbers represent f-stops, and there are indentations on the line set in thirds of a stop. When you've set your shutter speed, aperture, and ISO to what you require, press the shutter button halfway and look at this line. If it's reading a negative number, it means your shot will be under-exposed, and a positive number means over-exposure. The goal is to achieve a 'zero' measurement, although you need not worry if it's one-third of a stop over or under this, as photography is subjective to your own eye.

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Canon Dslr Manual Settings Cheat

So, if your shot is going to be vastly under-exposed, for instance, you'll need to let some more light into your shot. Depending on the subject of your image, you can then decide whether to adjust your aperture or shutter speed — or, as a last resort, your ISO.

Follow all of these tips, and you will soon have full manual mode under control.